《Hello! 树先生》:迷失在现实与超现实的隙缝中

Hello,Mr.Tree: Getting Lost in the Crevice between the Real and the Surreal

《Hello!树先生》是韩杰继《赖小子》之后的第二部作品,本片虽然频获大奖,却在票房上无所斩获,且观众评论多称后半部分看不懂。本文从人物塑造、镜语体系等角度,结合当下社会环境及现象对于创作者的影响,以试图分析影片的断裂感是因何而起。

Hello, Mr. Tree is the second work of the director Han Jie after Walking on the Wild Side which won numerous awards but gained little in box office as audience commented the latter half of Hello, Mr. Tree is quite confusing. This paper attempts to analyze how the rupture came into being from the perspective of characterization and cinematic language with consideration of what influence the contemporary social context exerts on the creators.