摘要
文章主要从审美的角度,通过戏味与京韵、写意与造境两方面,以古筝独奏曲《戏韵》的结构和各段落的表现手法,论述了乐曲所具有的审美意趣。同时,阐述了音乐与其他门类艺术之间在创作手法、表现形式、欣赏规律等方面所具有的共性。
This paper analyzes Guzheng Solo Appeal of Peking Opera from the perspectives of the opera charm and Peking rhyme,freehand expression and moods setting to illustrate the aesthetic charm the opera conveys.It also elaborates the commonality shared by music and other arts in creation,expression and appreciation.
出处
《贵州大学学报（艺术版）》
2012年第3期43-49,共7页
Journal of Guizhou University Art Edition
关键词
戏味
京韵
写意
意境
opera appeal
Peking＇s lingering charm
freehand expression
moods setting
