摘要
"同均三宫"现象与相关理论,是黄翔鹏先生在中国传统乐学领域的重大发现。对这一理论的解读与应用,发现二人台牌子曲"借调记谱"现象背后掩盖的是重视下徵音阶而回避正声音阶的实质。其有助于我们重新认识"同均三宫"理论的实践意义,以丰富民族民间音乐的宫调理论,进而使研究深入。
“Tong-jun- san -gong”phenomenon and its relevant theory is a major discovery of Mr. Huang Xiang- peng in the field of traditional Chinese music. Based on the interpretation and application of this theory, this article holds that the substance of “Jjie - diao - ji - pu”phenomenon is avoiding the high musical scale and levy great importance to the lower musical scale. It helps us to rethink the practical significance of the theory of the “ Tong- jun -san- gong” study in depth and enrich ethnic folk music Gong- diao theory.
出处
《内蒙古大学艺术学院学报》
2012年第3期123-128,共6页
Journal of Art College of Inner Mongolia University
基金
内蒙古自治区教育厅科研项目"内蒙古二人台牌子曲音乐研究"(项目编号:NJ09190)的阶段性成果
关键词
乐学理论
“同均三宫”
二人台牌子曲
借调记谱
下徵音阶
music theory
“ Tong -jun - san - gong ”
Er - remn - tai music brand
“ Jjie - diao -ji - pu”
lower lower music scales
