摘要
湖北孝感雕花剪纸有着悠久的历史渊源,南朝就有相关的文献记载,到明清时期,达到鼎盛;改革开放以后孝感雕花剪纸一度得到恢复与发展,但从九十年代至今,孝感当地剪纸现状不容乐观,面临失传的危险。孝感雕花剪纸艺术风格自成一派,在技法、色彩和题材三方面均有独特之处。技法上,孝感雕花剪纸以刻为主,绘刻结合;色彩上,以单色为主,日常家用突出红色;在题材上,以动物为主,尤其是凤及鸟类,并且题材的现实生活内容被高度虚化。
Xiaogan Carved Paper-cut in Hubei Province has a long history. The Southern Dynasties has some related literature record, during the Ming and Qing Dynasties, carved paper-cut in a period of great prosperity. After the reform and opening up, Xiaogan Carved Paper-cut had recovered and developed. However, since the 90's, the current situation of located paper-cut is not optimistic in Xiaogan, and it will face the risk of being lost. Xiaogan Carved Paper-cut has a common style which to reflect in the technique, color and theme. On the technique, Xiaogan Carved Paper-cut mainly by engraving; on the color, it mainly use monochrome, and its household utensils highlight red; on the theme, paper-cut based mainly on animal, especially phoenix and bird, and real life subject was high blurred.
出处
《创意与设计》
2012年第5期30-35,共6页
Creation and Design
关键词
孝感雕花剪纸
现状
特色
Xiaogan Carved Paper-cut
Creation aesthetics
Current Situation