摘要
龙氏家祠是民国时期云南省主席龙云为祭祖所修,是云南民国时期云南建筑艺术的杰出代表,其中雕刻数量众多,与建筑结合完美,为建筑增添了极大的艺术效果和文化内涵。该文从龙氏家祠雕刻的材质、使用部位、形式、题材及内容描述了龙氏家祠建筑群的雕刻艺术,分析和揭示了雕刻的艺术特征和雕刻所体现的文化内涵,说明了龙氏家祠的雕刻艺术亦为云南民国时期建筑雕刻艺术的集大成者。
The Long Family Ancestral Temple was built by Long Yun, the Governor of Yunnan during the period of the Republic of China, and it was built for ancestor worship. This ancestral temple is one of the best example of Yunan architecture during the period of the Republic of China, while sculptures are in great numbers, they are also combined with the architecture perfectly, which brought forth high standard of artistic effect as well as the culture connotation. Through description of the sculptures in the Long Family Ancestral Temple with its materials, position of use, style, theme and the content, we analyze and reveal the art features of the sculptures as well as the culture connotation, which points out that the sculptures in the Long Family Ancestral Temple is a masterwork of architectural sculpture in Yunnan during the period of the republic of China.
出处
《华中建筑》
2012年第11期118-124,共7页
Huazhong Architecture
基金
云南省教育厅科研<龙家祠堂研究>(编号:07C20444)
关键词
龙氏家祠
雕刻
材质
艺术特征
文化内涵
The Long family ancestral temple, Sculpture, Materials, Art features, Culture connotation