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康定斯基的美学理论与实验动画创作

Kandinsky's Aesthetic Theory and Experimental Animation Creation
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摘要 康定斯基的艺术观念为西方抽象主义绘画流派奠定了理论基石,他所描述的艺术品对精神层面的追求和导向功能推进了现代抽象主义绘画、现代设计以及其他艺术领域的发展,对实验动画的创作亦起到积极的作用。实验动画的探索和其他先锋艺术一样,表现为对传统影视语言和叙事结构的突破,对画面视觉元素的颠覆。这种艺术层面的自我觉醒,是先锋艺术家们认识自我的组成部分,也是探索和反思更深层次精神领域的思维活动,实验动画的发展同时也促进了主流动画具备更丰富的表现形式和创作手段。 Kandinsky's artistic concept establishes theoretical foundation for western Abstractionism painting school.The pursuit and guidance for spiritual aspect in his art works not only promote the development of modern Abstractionism painting,modern design and other artistic fields,but also play a positive role in the creation of experimental animation.Similar with other advanced art,the exploration of experimental animation breaks through the traditional expression language and descriptive structure,and subverts picture element.The self-awakening of these arts is the component for artists to further know themselves,also the thinking activities to explore and reflect the spiritual field from a deeper level.At the same time,the development of experimental animation promotes the main animation to have richer expression forms and creation means.
作者 胡兰凌
出处 《长春大学学报》 2012年第11期1424-1427,1433,共5页 Journal of Changchun University
关键词 康定斯基 抽象主义 实验动画 Kandinsky Abstractionism experimental animation
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参考文献4

  • 1瓦西里·康定斯基.康定斯基文论与作品[M].查立,译.北京:中国社会科学出版社,2003.
  • 2爱因斯坦.爱因斯坦文集[M].北京:商务印书馆,1976..
  • 3薛燕平.非主流动画电影[M].北京:中国传媒大学出版社,2007.
  • 4Scott Macdonald & Ralph Stainer. Lovers of Cinema, the American Film Avant-garde, 1919 -1945, University of Wisconsin Press, 1995.

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