摘要
中国古代建筑非常重视"象",但"象"大多依循程式,述而不作。因建筑之"象"既是视觉的社会建构之物,也是社会的视觉建构中介。"象"致力于成为生产"凝视"的欲望机器,而"象"的生成与传播又建基于由"礼"衍生的"数"、"位"、"文"。因此,它们分别担当了建筑凝视中的形塑机制、结构技术、话语背景角色。
Chinese ancient architecture attaches great importance to" image",but "image" is narration not creating.Therefore,"image " is the vision of social construction,is also the constructive intermediary of the social visual ——" image " is committed to become the desire machines to produce the "gaze". And the production and dissemination of the image built on the number,the position and the ornamentation that have been multiplied by the etiquette.Therefore,they respectively bear the roles of the forming of mechanism,the structure technology and the context of discourse in the gaze.
出处
《佳木斯大学社会科学学报》
2012年第5期142-145,共4页
Journal of Social Science of Jiamusi University
基金
湖南省教育厅科技规划基金项目:"社会转型期的城市建筑审美文化研究"(09C27)
关键词
中国古建筑
凝视
象
数
位
文
Chinese ancient architecture
gaze
image
number
position
ornamentation