摘要
连续第二年,大都会歌剧院演出季开幕首演献上的都是多尼采蒂和安娜·涅特里布科（Anna Netrebko）的组合,不过上季是历史悲剧《安娜·波莱娜》（AnnaBolena）,本季换成了浪漫喜剧《爱之甘醇》。
An A-list cast bel canto singers,led by vocally luxurious and dramatically spirited Anna Netrebko,opened the 2012-13 Metropolitan Opera season with Donizetti's ever-popular L'Elisir d'Amore.It could have been a very enjoyable night. Unfortunately the fun was let out by director Bartlett Sher's interpretation.He deliberately imposed a revolutionary undertone to add gravitas to the romantic comedy.yet the interpretation was superfieial and inconsistent,sabotaging characters and their relations.Sher's fourth production at the Metropolitan Opera is another disappointment and cast serious doubt on his understanding of opera.
出处
《歌剧》
2012年第11期22-23,共2页
Opera
