摘要
沈奇在新古典主义与现代禅思的书写中,开发出一种新路径。其艺术上的最大贡献之一是一改新诗传统的戏剧化路数,只择取单语象、单意象作为"戏剧性角色",在"字思维"的前导下,经由各种拆解、牵拉、分延,绽放出其不意的张力,为盘活诗歌语词与现代诗语的活性提供了成功的经验。
Besides the neo-classical and modern buddhistic style, Shen Qi has already been developing another writing strategy. One of the most significant achievements can be deemed as the appropriation of dramatic tension. The poet deliberately avoids the tradition dramatization, and picks up several singular images to formulate the "dramatic characters". With this "thinking through characters", this peculiar tension, which emerges from all sorts of deconstruction, distortion, and difference, should be regarded as providing a successful example for activating the modern poetic language and words.
出处
《西安财经学院学报》
CSSCI
2012年第6期103-105,共3页
Journal of Xi’an University of Finance & Economics