摘要
中国早期电影是一种典型的现代性事物。它从新兴西方传入旧式中国,表现出强烈的时间、空间和性别的暧昧性。但很快中国早期电影在身体、欲望和娱乐等方面表现出由传统出发但又异于传统的现代性意味。以电影为联结,女明星本人及其电影形象和电影宣传表现出三种不同的性别图绘和摩登(现代性)表情。
The early Chinese film is a typical modern thing. The film was introduced in old China from the emer ging West, and showed a strong ambiguity of time, space and gender. But soon China＇ s early films showed moder nity in the body, desire and entertainment based on the traditional but unconventional. Taking the film as a link, the actress, her image in the film and the promotion of modern expression. the film presents three different gender illustrations and
出处
《浙江艺术职业学院学报》
CSSCI
2012年第1期47-51,共5页
Journal of Zhejiang Vocational Academy of Art
基金
"211工程"三期重点学科建设项目<性别传播的研究创新与社会应用>阶段性成果。(项目编号:21103020203)
关键词
摩登
现代性
性别
王汉伦
modern
modernity
gender
Wang Hanlun
