摘要
明清两代,以"还魂"为主要情节,取名《还魂记》的同类型剧作不少,虽各有千秋,却均不出汤显祖《牡丹亭》其右。无论从思想之深刻、曲文之典雅、人物之塑造加以比较,《牡丹亭》均高出一筹。
In the Ming and Qing dynasties,there are plenty of dramas taking "resurrection" as the main plot and named Notes of Revival.Although each of the dramas has its advantages,none is so good as Tang Xianzu's Notes of Peony Pavilion.Compared from the thought,script and characterization,Notes of Peony Pavilion is better than other dramas.
出处
《浙江艺术职业学院学报》
CSSCI
2012年第2期18-23,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
《牡丹亭》
还魂型
明清时期
戏剧比较
Notes of Peony Pavilion
revival after death
the Ming and Qing dynasties
comparison among dramas