被“现代”精神烛照的“传统”——王仁杰先生剧作谈

Tradition in the Light of Modern Spirit——On Mr. Wang Renjie's Plays

"传统"与"现代"是王仁杰剧作中的两个极点。在他的创作中,"传统"已然化为了剧作的"技法和材料",其秉承古南戏之血脉的编剧技巧和剧作结构,以及极具古典韵致的唱辞念白,恰恰是其秉承"传统"游魂的表征。而其"技法和材料"所依托的,恰恰是中国古典戏曲的表演体系,尤其是对梨园戏表演诸要素的谨守。同时,他也是一个将"现代"精神烛照进"传统"的书写者,是一个对女性身体权利的唤醒者。他的剧作因其对女性身体权利的捍卫、因其对女性自觉意识的提倡、因其对女性生命本质的真正关注而具有开拓性。

Tradition and modernity are two poles of Wang Renjie＇s plays.In his works,tradition is the technique and material.He inherits the screenwriting skill and play structure of nanxi as well as the singing and speaking words of classical charm,adhering to traditional the performance system of traditional Chinese opera.Meanwhile,he includes modern spirit in the tradition,waking up the right of the female body.His plays are pioneering for defending the right of the female body,advocating self-consciousness of the female and concerning the female＇s essence of life.