摘要
在蒙古史诗中,描述英雄人物形象或叙述史诗情节时都体现出了原始岩石崇拜:一、史诗英雄人物得到岩石的呵护;二、用岩石象征英雄人物的力量;三、用岩石镇压敌人;四、用岩石做占卜等。这样的文化审美意识是在当时民众的神话意识和原始宗教神灵信仰的基础上产生的,是把岩石神圣化的信仰意识和崇拜力量的审美观念相结合的产物。
In Mongolian epic, the hero characterization and narration of the epic plot embody the primitive rock worship: epic heroes being protected by rocks, rock embodying power of the heroes, conquel;ing the enemy with rocks, divination with rocks, etc. Such consciousness of cultural aesthetics has been formed on the base of people's mythological awareness and primitive religious belief of gods; and is the result of belief awareness of holy rocks and aesthetic notions of power worship.
出处
《西北民族大学学报(哲学社会科学版)》
CSSCI
2012年第6期12-16,共5页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
基金
国家社科基金项目"蒙古史诗美学研究"(批准号:09BZWO68)的阶段性成果
关键词
蒙古史诗
岩石崇拜
文化渊源
审美观念
Mongolian epic
rock worship
cultural sources
aesthetic notions