摘要
卫藏名刹——夏鲁寺保存有后弘期初期以来的美术遗存,其美术风格的多元性堪称西藏中部乃至整个西藏古代美术中的典型。夏鲁寺美术多元性形成的背后折射出西藏本地文化与印度、尼泊尔、敦煌、于阗和中原等地文化的融合。
Shu-lu monastery is an important monastery in central Tibet.It is still relatively well preserved since the early period of the second diffusion of Tibetan Buddhism.The variety of its art style could be identified as the model of ancient art of central Tibet,and even the whole Tibet.Interaction of the artistic style between India,Nepal,Western China,Central Asia,China＇s inland and Tibetan art could be observed in the variety of aesthetical style of Sha-lu.
出处
《西藏研究》
CSSCI
北大核心
2012年第5期53-59,共7页
Tibetan Studies
关键词
夏鲁寺
美术
多元性
Shu-lu monastery
the fine art
the variety of aesthetical style
