追和词的产生及其发展脉络

Generation and Development Context of Ci with the Same Rhyme

张先最早将和韵的创作方法用于词中,在和韵从诗坛延展至词坛这一过程中起了至为关键的作用,追和词的产生则在具有典范意义的词人词作出现之后。李之仪《忆秦娥·用太白韵》是现存最早的追和词。直到北宋末年,追和词仍寥寥无几。第一个在词中大量追和前人的词人是生活在南北宋之交的王之道。苏轼、周邦彦作为典范词人在南宋受到较为普遍的追和。金元时期代追和词数量少,追和范围小,但对于苏轼词的追和仍然清晰可见。明人对于唐宋词人词作的追和热情十分高涨,追和词数量大增,形式也更加多样化。清代追和之风兴盛,词人追和态度严肃,和词总体质量较高。

ZHANG Xian played a crucial rote in the process of applying rhyme of poetry into Ci. He is the first poet to create Ci with rhyme. Ci with the same rhyme appeared after the typical works were created. ＂Dream Of A Qin Woman . applying LI Bai＇ s rhyme＂ by LI Zhi-yi is the earliest Ci with the same rhyme. Until the late Northern Song Dynasty, there was few Ci with the same rhyme. WANG Zhi-dao, a poet between South and North Song Dynasty is the first poet to apply rhyme of a lot of previous poets. SUShi and ZHOU Bang-yan as model poets were responded by applying rhyme more and more commonly in the Southern Song Dy- nasty. The amount of Ci with the same rhyme in the Jin and Yuan Dynasties was small, but the rhyme for SU Shi was still clearly visible. In the Ming Dynasty, Ci with the same rhyme increased not only in amount, but also in form. In the Qing Dynasty, Ci with the same rhyme was very popular, and its overall quality was higher because of the poets＇ serious attitude.