期刊文献+

试论四灵诗歌的艺术渊源及特色

On the Artistic Origin and Feature of Siling Poetry
下载PDF
导出
摘要 后人评论四灵的诗歌创作,多聚焦于他们师宗姚合、贾岛,此论虽道出了四灵诗歌的主要艺术渊源,但并不全面。除了师宗姚、贾之外,唐代的大历诗人、晚唐诗人及宋初的晚唐体诗人、南宋的杨万里、叶适等人都是四灵学习的对象。正是通过这样一种学习,他们形成了自己特有的诗风。 Most of the people focused on their forefathers of Siling poetry like Yao He and Jia Dao, when they make comment about the origin of Siling poetry. This kind of commence have pointed out the major artistic origin of Siling Poetry, but it's not the comprehensive one. In addition to the forefathers like Yao He and Jia Dao, many other poets also served as Siling's teachers,such as the Da Li poets in Tang dynasty and poets in the late Tang dynasty, poets in Song dynasty with Tang style works, as well as poets in South Song dynasty like Yang Wangli, Ye Shi, and so on. It's just what he learned from these masters that contribute to his own style.
作者 吴侃民
出处 《萍乡高等专科学校学报》 2012年第4期49-53,共5页 Journal of Pingxiang College
关键词 四灵 艺术渊源 艺术特色 Siling artistic origin artistic feature
  • 相关文献

参考文献2

  • 1方回.瀛奎律髓汇评[M].上海:上海古籍出版社,1986..
  • 2陈增杰校点.永嘉四灵诗集[M].杭州:浙江古籍出版社,1985.

共引文献33

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部