摘要
陈铨在抗战时期创作的长篇小说《狂飙》,以两对青年男女的恋爱纠葛为主线,穿插风云变幻的时代背景,表现了沐浴五四风雨的青年一代在国家民族危急关头从个人主义向民族主义转化的过程。陈铨将自己的民族文学观的核心理念——"民族意识"深植到文本中,从人物设置到情节的推衍皆为此中心服务,可以说《狂飙》就是陈铨民族文学的范本。这种过强的功利主义,使文本不可避免地成为作者观念的传声筒。
The anti-Japanese long novel Hurricane by Chen Quan,taking the love entanglements of two young couples as the main thread and doting with the ever-changing background,gives expression to the transition from individualism to nationalism of the May 4th Movement-immersed youths in the critical period of the nation and the people.Chen Quan has implanted "national awareness"——the core notion of his national literature——into his literary creation.The setting and the moving of plots are serving this core notion.It is never exaggerated to say that Hurricane is the model of Chen Quan's national literature.This strong utilitarianism renders the texts as the microphone of the writer's idea.
出处
《重庆三峡学院学报》
2012年第6期74-76,79,共4页
Journal of Chongqing Three Gorges University