摘要
本论用景观人类学的方法重新考虑客家建筑文化研究的现状。迄今为止许多客家学者认为客家建筑内涵阴阳五行说、天人合一、风水等起源于中原的文化思想体系。但是,在客家的大本营——梅州其实不少当地人更加重视另一种环境知识,假如仅从中原文化的角度说明客家建筑会妨碍理解客家建筑文化的全面性质。本论以梅州的传统民居围龙屋的个案指出客家建筑文化的重叠性,从而提出客家建筑文化研究的新视角。
This article aims at rethinking the studies about Hakka architectural culture from the view of the anthro pology of landscape. Now many Hakkaologists consider that the Hakka architecture includes Central Plain' s culture such as yin yang, wuxing, tianrenheyi, fengshui, however, some Meizhou inhabitants regard another traditional environmental knowledge conveyed from their ancestors. This article points out the overlapping between the Central Plain' s culture and the traditional environmental knowledge, so as to put forward a new viewpoint of Hakka archi tectural study.
出处
《嘉应学院学报》
2012年第9期5-10,共6页
Journal of Jiaying University
基金
广东省人文社会科学省市共建重点基地嘉应学院客家研究院招标课题(10KYKT08)
关键词
客家
梅州
民居
围龙屋
景观人类学
Hakka
Meizhou
vernacular architecture
Weilongwu
the anthropology of landscape