摘要
陀思妥耶夫斯基将戏剧艺术完美地融入小说《白痴》的创作当中,创造出一种全新的戏剧式小说,使作品呈现出一种跌宕起伏、变幻莫测的戏剧化态势。陀思妥耶夫斯基将开场白、序幕、场间转换和幕间转换等戏剧的排篇布局方法运用到小说创作中,使小说呈现出戏剧的逻辑结构。在作品的时空安排上,他也借鉴了戏剧的表现手法,大大提升了作品的包容性和情节的丰富性。此外,小说还引入了对白、突转、悬念、小丑和道具等戏剧的重要元素,从而凸显了作品的戏剧性。
Dostoyevsky has a good use of the “drama” skill. He perfectly puts dramatic art into Idiot, and creates a new 'drama novels', which givies his novel a fascinating plots. He uses drama's layout methods, such as opening remarks, introduction, conversion and the conversion between the rows, and consequently grants the novel a dramatic logic structure. The special dramatic time arrangement makes the novel have a logic dramtic structure. He also borrows the theatrical performance, which greatly enhances the inclusion and enriches the storyline of the novel. In addition, the novel uses some important drama ele- ments, such as dialogues, abruptness, suspense, drama clowns and props . which are also highlight the novel.
出处
《中北大学学报(社会科学版)》
2012年第5期89-92,共4页
Journal of North University of China:Social Science Edition
关键词
《白痴》
戏剧性
小说结构
共时性
戏剧表现手法
Idiot
dramaturgic
framework of novel
synchronicity
technique of dramatic expression