断裂之劫与融通之赎——生态存在论美学视野下的《第二十二条军规》

Disaster of disruption and salvation by universal links——interpretation of Catch-22 from the perspective of Ecological Ontological Aesthetics

美国犹太裔作家约瑟夫·海勒的代表作《第二十二条军规》通过其主要人物的异化表征了一种断裂的"人—环境"关系。这种断裂的关系模式及其引起的身份异化在后现代文化的非理性荒诞氛围中加剧,呈现出其后现代形态。在生态美学的阐释视野中,小说的结尾暗示了这种后现代断裂之劫的救赎希望,一种于融通之序中救赎的可能性。

Catch - 22, the American Jewish writer Joseph HeUer＇s representative novel, manifests a disrupted ＂mankind- environment＂ relationship through the alienation of its main characters. The disrupted relationship mode and the alienation of identity caused by it deteriorate in the irrational atmosphere of absurdity of post - modern culture and develop into their post - modern variants. In the interpretative vision of ecological aesthetics, the ending of the novel implies the hope of salvation for the post - modern disaster of disruption, a possibility of the salvation by the realization of the order characterized by universal links.