摘要
对一件作品的认知一定是来自于它的形式。我们正是通过这种难以捉摸的轮廓,来评价某项活动的构思和实践。对于建筑来说,近些年来,形式的角色已经在其中占有了夸张的比例。形式现在是这一学科的重要的评判界限：
Recognition of a piece must come from its form. It is from this intangibte configuration that the thought and practice of an activity can be assessed. In the case of architecture, its founding rote has reached exaggerated proportions in recent times. Through excess or tack,
出处
《世界建筑》
2012年第10期22-25,共4页
World Architecture
