摘要
作为生活在当代的作家,贾平凹特别注重社会改革、时代潮流对民族文化心理和性格的冲击,并在作品中通过秦腔的变迁来透视社会文化的发展流变。秦腔在贾平凹的作品中,是西北地方民间文化的承载和民间精神的外化。从80年代写作散文《秦腔》到21世纪写作小说《秦腔》,在日益衰微的秦腔声里,蕴含着民族的文化性格和心理结构在时代和社会变革中的巨大变化,折射出不同时代下的社会文化和人们的精神世界的流变。
As a contemporary writer, Jia Pingwa pays special emphasis on the impact of social reforms and trends of times on the psychology and character of the national culture. In his works, he tries to search the cultural development through the changes of Shaanxi opera, which are the bearer of the Northwest folk culture and the extemalizatian of folk spirit. From his prose "Qin Opera" in the 1980s to his fiction "Qin Opera" in the 21st century, he describes the gradual decline of Shaanxi opera, and the tremendous changes of the nation' s cultural character and psychological structure in the social development, and these great changes also reflect a different era theology of the socio-cultural and people' s spiritual world.
出处
《渭南师范学院学报》
2012年第11期44-48,共5页
Journal of Weinan Normal University
基金
陕西省教育厅科研计划项目(09JK062)
陕西省社会科学界重大理论与现实问题研究项目(2012Z024)
关键词
秦腔
衰亡
反思
文化意义
Shaanxi opera
decline
reflection
cultural significance