摘要
文章表达建筑师面对当下中国建筑设计中追求强烈视觉效果的倾向,思考用更多富含传统建筑意境的空间处理手法来表达东方哲学中对意境的追求。通过苏州仁恒观棠社区、棠北社区的设计实践,建筑师对建筑布局、建筑院落空间、建筑街巷空间以及材料进行积极尝试,最终用建筑留白、摹画自然、自我消隐的方式诠释了传统建筑意境,用"无"表达了更多的"有"。
This paper expresses the architect's inclinations towards pursuing strong visual effects in contemporary Chinese architectural design, and reflects on the possibilities of expressing Oriental philosophy's commitment to atmosphere by way of space treatment approaches rich in traditional architectural ambiance. In the design practice of Yanlord Guantang and Tangbei communities in Suzhou, the architects have actively engaged in experimentation in architectural layout, courtyard space, street and alley space and material, eventually succeeded in expressing more 'existence' through the medium of 'nothingness' which is characterized by deliberately left empty spaces, imitation of nature and self-abnegation.
出处
《时代建筑》
2012年第5期134-141,共8页
Time + Architecture
关键词
观棠社区
棠北社区
“有”与“无”
“空”的承载
摹画自然
自我消隐
院落
街巷
Yanloard Guantang
Yanlord Tangbei
Existence and Nothingness
Conveying 'nothingness'
Imitation of Nature
Self-abnegation
Courtyard
Streets and Alleys