一曲无尽的挽歌——曹禺《北京人》的“雅文化”思考

An endless dirge——Cao Yu "Peking Man" thinking of "Refined culture"

曹禺的《北京人》是贵族"雅文化"的"一曲无尽的挽歌",是对人的日常生活的内在神韵与诗意的开掘,是在鲁迅所谓的"几乎无事的悲剧"里,在普通人的精神世界的升华中,悖论式地展现一种文化优雅又惨烈的悲剧景观。优雅,如果仅仅"徒有其表",内核却是无可救药的怯懦、颓废、生命的彻底浪费,或者只是极端的自私,那么这种文化注定而且必须被弃绝。真正的优雅,则是博大的温情、宽容、坚忍和关爱,对生活本身的满腔热爱、朦胧憧憬、深刻眷念和执著守望、无限留恋。

Cao Yu＇s ＂Peking Man＂ is a noble of ＂Refined culture an endless dirge＂ intrinsic charm of daily life and poetic dig in Lu Xun＇s so-called ＂almost nothing tragedy＂, the sublimation of the world in the spirit of the common people, to show a culture elegant tragic tragic landscape para- dox. Elegant, if only ＂only the table＂ kernel is hopeless cowardice, decadence, thorough waste of life, or just extreme selfishness,then this culture is doomed and must be abandoned. The truly elegant, broad warmth, tolerance, perseverance and care, filled with love of life itself, hazy vision of profound feel nostalgic and dedication Rye, infinite nostalgia.