摘要
当代美国学者哈罗德·布鲁姆的影响诗学着眼于诗歌的审美创造活动,通过"影响的焦虑"命题下对事实性与修正的辩证分析,实际着重阐发了一种"反影响"诗学,并最终以审美僭越历史,对影响的诗史做互文性阐释和重构。布鲁姆影响诗学视域下的诗史重构,陷入了审美与历史的深刻矛盾,同时又以其审美主义偏执激化了这一矛盾,难以达到文学史的整体性再现。对此,回归文学史的历史性和语境化,当足以药石之。
Harold Bloom' s influence poetics focuses on the aesthetic activities of creating poetry, and actually elucidates the poetics of "anti-influence" by dialectical analysis of factacity and revision trader the proposition of "anxiety of influence", thus ultimately making an intertextual interpretation and reconstruction of the influen-tial poetic history with aesthetic transgressing over history. When reconstructing the poetic history in the per- spective of Bloom' s influence poetics, we find the contradictions between aesthetics and history and the contra-diction is intensified because of his extremity on aestheticism, which causes it difficult to comprehensively rep-resent the literary history. Such a problem about constructing literary history may be solved by returning to the historical characteristics and contextualization of literary history.
出处
《华东交通大学学报》
2012年第5期83-87,93,共6页
Journal of East China Jiaotong University
基金
江西省社科规划项目(08WX10)
关键词
影响诗学
文学史
历史
审美
语境
influence poetics
literary history
history
aesthetics
context