摘要
"灵韵"是德国文学批评家本雅明文艺理论的核心概念。它具有"独一无二性"、"距离"感、经验的"真确性"、对象的"权威性",以及神秘的"永久性"等特性。从文学人类学的视野阐释这一概念,它具有神话信仰渊源与文学的仪式功能、自然人化的审美经验与生态审美的文学体验、讲故事的口传文学传统与对话性叙事等人类学维度。本雅明灵韵理论凸显了文艺从现代性到后现代性的关联性,能为传统文艺作品的"袪魅"走向数码时代文艺作品的"复魅"提供新的解释,具有重要的诗学价值。
Aura is the core concept of the German literary critic Walter Benjamin' s literary theory, which has the characteristics of uniqueness, distance, authenticity of experience, authority of objects and the mysterious permanence. Interpreted from a literary anthropological point of view, aura has such anthropological dimensions as mythological origin and literary ritual function, the aesthetic experience of the humanized nature and literary experi- ence of ecological aesthetic, as well as the oral literary tradition of storytelling and dialogic narrative. It is of great poetics value for Waiter Benjamin' s aura theory to highlight the artistic interrelations from modernity to postmodernity, has the important value of poetics, and provide a new interpretation for the change from the “disenchantment” of traditional literary and artistic works to the “reenchantment”in the digital era.
出处
《河池学院学报》
2012年第4期69-74,共6页
Journal of Hechi University
基金
梧州学院2011年度重点资助项目<文化研究语境下的本雅明思想研究>(2011B015)
2012年度广西高等教育教学改革工程项目<人文精神培养与外国文学教学改革研究>(2012JGA215)
梧州学院2011年院级教育教学改革工程重点资助项目(Wyjg2011A06)
关键词
本雅明
“灵韵”
文学人类学
仪式
诗学价值
Walter Benjamin
aura
literary anthropology
ritual
poetics value