摘要
近十年来中国近代音乐史研究取得了长足进展,其体现主要在微观和宏观两个方面。微观方面主要指对音乐家的个案式研究,宏观方面涉及近代音乐史的综合探究。然而,我们在看到进步的同时也应注意其所潜藏的不足,主要是研究重点的不平衡、研究方法的单调与研究理论的匮乏等。随着上述问题的逐步解决,中国近代音乐史研究必将走上一个更高的阶段。
A study on history of modern Chinese music over the past decade has made considerable progress, reflected mainly in the micro and macro aspects. The micro level refers to the case study on musicians, the macro aspects concern the comprehensive exploration of modern music history. However, we also see the potential shortages, which contain the research' s imbalance, research methods' monotony and lack of research theory. With the gradual resolution of these issues, the study on modern Chinese music history will embark on a higher stage.
出处
《南阳理工学院学报》
2012年第5期69-73,共5页
Journal of Nanyang Institute of Technology
关键词
近代中国
音乐史
艺术史
modern China
music history
art history