摘要
邵雍是宋明理学的奠基人之一,同时又是一位热衷诗歌创作的诗人。他洛阳的日常闲居生活与白居易晚年的闲适如出一辙,具体表现为对"闲"的自得和对"乐"的倡扬,共同拥有在"中"的状态中求得知足的心态。与洛阳的这种闲乐状态相对应,邵雍诗中不仅反复表达"乐"的主题,而且还积极摹仿白诗平易流畅的美学风格、别具一格的诗歌手法、通俗化倾向等方面,与白居易的闲适诗尤其是归洛后的诗歌极为肖似。由于邵雍在北宋中后期洛阳诗人群中身份的特殊性,他这些接受白居易的表现也具有了某些特别的意味。
Shao Yong is a philosopher, and also a poet in the northern Song Dynasty. There are very much alike in his daily life in Luoyang and Bai Juyi's leisurely and comfortable life of old age. Especially in Shao Yong's poems, he models Bai's leisurely and comfortable poems, from the theme of "happy", to the common aesthetic style, unique poetry technique, popular tendency, etc...For Shao Yong's particular identity in Luoyang poetry crowd of the middle and late Northern Song Dynasty, his acceptance of Bai Juyi presents some different general meanings.
出处
《聊城大学学报(社会科学版)》
2012年第6期14-23,共10页
Journal of Liaocheng University:Social Science Edition
关键词
邵雍
白居易
闲适
乐
平易
Shao Yong
Bai Juyi, leisurely and comfortable poem
popular style