摘要
本文讨论民国时期女记者的出现及其形象的建构。首先考察她们是如何、为何被媒体呈现为"交际花",以及她们如何应对并重建作为"无冕皇后"的职业身份。其次分析这一现象的成因,即女记者的职业性质对传统性别规范的挑战,引发男性文人对重新定义性别角色的担忧和焦虑;她们采取"去性别化"的话语策略,强调自身的职业素养和社会功能,则是为了建构起性别中立的职业认同。
This paper discusses the emergence of women journalists and the construction of their image in Republic China. It would be discussed that how and why they had been presented as "Party Girl", and how they had responded and rebuilt the self-identity of "A Queen without Crown" through the self-narrated text by themselves.
出处
《妇女研究论丛》
CSSCI
北大核心
2012年第6期59-64,共6页
Journal of Chinese Women's Studies
关键词
交际花
无冕皇后
媒介形象
自我认同
"Party Girl", a "Queen without Crown", media-image, self-identity