论李安电影中“子辈形象”的文化建构

Discussion on the Cultural Construct of "the Son Generation Image" in Li'an's Films

李安电影中的"儿子们"始终同父亲保持着若即若离的暧昧关系,一方面是对父亲的叛离;另一方面又表现出对于父亲所承载的男性历史主体意识的认定和接受。儿子们最终走回了男性/父权社会历史秩序的既定网络,曾经的质疑被以叙事策略转换的方式重新纳入岿然不动的历史潜意识中,这些开放的故事架构中都有一个封闭的、深具父权文化意味的、单一的结局。

The ＂sons＂ appeared in Li＇an＇s films always keep ambiguous relationship with their fathers,neither friendly nor aloof,which indicates their rebellion to fathers,their recognition and acceptance to the male subject of consciousness their fathers undertake in history.The sons finally entered the fixed history rules network of patriarchal society.What was once doubted has been brought into the unmoved historical subconsciousness in the way of transferring narrative strategy.These open story frames always have a close and single ending with patriarchal culture.