摘要
柳宗元贬谪永州的作品共360多篇,而写到愚溪、渔翁的就有20多篇,可见愚溪、渔翁两种意象是作者谪永期间的精心创构。愚溪的怨愤执着,渔翁的孤高超脱,反映了柳宗元在精神郁结与舒散之间的巨大心理张力,展示了作者在抑郁孤愤中努力寻求解脱的心路历程。愚溪与渔翁两类意象,是一种"异构同质"的关系,共同体现着柳宗元孤愤超拔的精神风貌,无论对柳宗元的审美人格或骚怨精神建构,都具有核心和标志性的意义。
When Liu Zongyuan was relegated in Yongzhou,he wrote about 360 articles,more than 20 of which described Foolish Brook and Fisherman,so we can say that the imageries of Foolish Brook and Fisherman were the result of creative effort in the period when Liu Zongyuan was relegated in Yongzhou.The resentment and persistence of Foolish Brook,and the secular Fisherman,incarnated his enormous mental tension between depression and evacuation of emotion,exhibited depressed and indignant mood and tendency to seek for relief.Two types of imageries had actually joint feature while they had different configuration.So these two imageries were of immense and symbolic significance in forming Liu Zongyuan’s esthetic personality and establishing resentful spirit.
出处
《广东海洋大学学报》
CAS
2012年第5期65-70,共6页
Journal of Guangdong Ocean University
关键词
柳宗元
愚溪
渔翁
意象
精神透析
Liu zong-yuan
foolish brook
fisherman
imagery
spiritual dialysis