摘要
本文梳理了艾米丽·狄金森的1775首诗歌,根据诗歌内容所表达的思想境界,这些诗歌被大致分为三个阶段:禅修前"见山是山,见水是水"的境界,修禅后"见山不是山,见水不是水"的境界,开悟后"见山只是山,见水只是水"的境界;论证了艾米丽·狄金森诗歌中闪烁着禅宗证道的三个层次,从而证明艾米丽·狄金森已有某种程度的开悟,同时说明了她为什么会被同时代的人称为"怪人"的原因。
According to the thoughts and states expressed in Emily Dickinson’s 1775 poems,this article divides these poems into three creative phases： the state of ＂what you see is what you see＂before practicing Chan,the state of＂what you see is not what you see＂after beginning to practice Chan,and the state of＂what you see remains what you see＂after enlightenment;showing that Chan’s three levels of verifying Dao twinkled in some of Emily Dickinson’s poems goes on to show how Emily Dickinson attained enlightenment to some degree and explains why she was regarded as an eccentric in her contemporary’s eyes.
