摘要
本文主要讨论英国女作家安吉拉·卡特小说作品中的镜像意象。追溯拉康的镜像阶段理论对其创作的影响;通过对卡特代表性小说作品的文本分析,探讨她作品中对镜自观、多角色扮演、离魂自观、孪生子等各种形式的镜像暗喻;最后探讨卡特对镜像的独特思考,通过关注自我的沉思和身体体验超越视觉陷阱,超越镜像的虚假和不完整。镜像超越阶段也呈现出卡特独特的身体美学和对主体性的阐释,从而探寻和谐的真谛和救赎自我的出路。
This study mainly talks about the mirror image in the English female writer—Angela Carter’s fictions.Firstly,this paper traces back the influence that Lacan’s theory of mirror stage has on Carter’s works.Secondly,by analyzing the texts,it discusses mirror metaphor in the various forms of mirror self-concept,multiple role-play,twins image,soul division etc.Finally it explores Carter’s independent thinking about the mirror image: surmounting the visual traps and false mirror images to seek oneself and back to the true being by reflection and body experience.It also explores Carter’s unique thought about the hermeneutics of subject and somaesthetics which appears in the mirror image.
关键词
安吉拉·卡特
镜像
自我
女性
体验
Angela Carter mirror image femininity body experience