胡风“主观战斗精神”的理论与实践

Hu Feng's “Subjective Fighting Spirit”:Theory and Practice

导致胡风悲剧命运的"主观战斗精神"是胡风的现代文化性格和现实主义理论的核心,包含世界观、人生态度、文学创作方法三个层次的意义,主要是当时历史背景下左翼内部文化思想斗争的产物。在新文学的历史任务、接受世界先进文化、知识分子思想改造、党对文艺工作的领导等问题上,胡风文艺思想与左翼主导思想存在一系列分歧,自身也有明显的局限性。

＂The subjective fighting spirit＂ leading to Hu Feng＇ s tragic fate is the core of Hu Feng＇ s modem cultural character and realism theory, involving meanings at three levels： his world outlook, his attitude towards life, and his method of literary creation, which mainly results from the cultural and ideological struggle within the Left-wing scholars in the then historical context. As regards the historical mission of new literature, the acceptance of the world advanced culture, the remodeling of intellectuals＇ ideology, and the Party＇ s leadership over literature and art, etc. , Hu Feng was clearly constrained in his literary view and somewhat divergent from the dominant idea of the Left-wing.