从武汉江汉关谈历史建筑的规划文化史审美

Appreciation of the Beauty of Historic Architecture's Cultural History of City Planning Referring to Jianghan Guan of Wuhan

武汉市汉口江边的江汉关大楼,其主题与形象一直是汉口商业港口的实体与文化标志,亦是人们从远视到近视的汉口景观地标,视觉上的震慑在于其天际线的突出。今天的江汉关几乎完全被模糊在紧贴其背矗立的高楼群屏之中,从而失去其汉口标志和海关主题的地理及文化视觉焦点的意义。该文从城市规划审美角度,以江汉关为典型,参考一些国内外案例,探讨历史建筑区域规划的文化史空间规划问题。并提出"江汉通海"的武汉城市形象概念。

Jiang Han Guan building, located by the Han River, attracted people＇s view because of its highlighted skyline, the theme and image of which used to mark the status of Wuhan as a major port and business center; it was also the landmark of Hankou from far distance view. Nowadays Jiang Han Guan is almost shut out by high rises around, gradually losing its importance as the landmark of Hankou, the representative to theme of custom, and the focus of attraction. This article, referring to Jiang Han Guan and some other projects of China and foreign countries, from the point of appreciation of the beauty of historic architecture＇s cultural history of city planning, probes into the problem of city planning of historic districts and cultural space. The concept of ＂Rivers and Seas are connected＂, or ＂Jiang Han Tong Hai＂, which tries to shape the image of Wuhan City, is defined and explored.