摘要
本文在对中国表现性油画的创作探讨中,提出对其造型语言的关注,并论述了中国表现性油画"笔简意丰"的重要语言特征之一。从它受其影响的中西两方面进行深入挖掘,并结合众多艺术家的艺术实践总结,以期进一步把握表现性油画艺术的本质。
This thesis puts forward the attention on profiling language in the discussion of the creation of expressive Chinese oil painting,and relates and analyzes one of the important language characters of it,"simple strokes but rich meanings".It digs profoundly from the two aspects,the Chinese and west,which influenced it both,combines with conclusion of artistic practices of many artists,and hopes to grasp the essence of the art of expressive oil painting.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2012年第6期135-137,198,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
语言特征
笔简意丰
表现性
中国油画
Language character
simple strokes but rich meaning
expressive
Chinese oil painting