摘要
阿多诺音乐美学思想以"非同一性哲学"为基础,以"否定的辩证法"为主要思维方式,对20世纪西方音乐中的相关类型进行了独到的评论。这种独特的哲学思维在突破传统思维定势和理论范式,以及确立新的美学范式中具有巨大的阐释力量。非同一性是阿多诺音乐美学思想的理论基础。
Taking “non -identity philosophy” as the basis, and the “negative dialectics” as the main mode of thinking, Adorno' s music aesthetics comments on the related types of western music in 20th century. This unique philosophical thinking has great explanatory power in breaking through the traditional thinking and theoretical paradigms, and establishing a new aesthetic paradigm. Nonidentity is the theoretical basis of Adorno' s aesthetics of music.
出处
《阴山学刊》
2012年第5期85-91,共7页
Yinshan Academic Journal