摘要
在后现代语境代中,电子传媒加剧了艺术/审美的"祛魅",赋予艺术/审美活动的那种神圣性与神秘性消失殆尽,整体性与中心化的原则支离破碎,分类界限走向解体和消融。加上消费文化逻辑的驱动,审美泛化的全面推进,"狂欢化"已成为这个时代艺术/审美的最为显著的特征。
In the post- modern context, electronic media intensifies artistic or aesthetic disenchantment, making the sanctity and mystique of artistic or aesthetic activity disappear completely and the principle of integration and centralization fragmented and the classification boundary disintegrated and molten. Besides, owing to the drive of the logic of consuming culture and the total advancement of aestheticization, " carnival" has become the most outstanding feature of art or aesthetics in this era.
出处
《绵阳师范学院学报》
2012年第10期80-83,共4页
Journal of Mianyang Teachers' College
基金
2010年度宁夏回族自治区哲学社会科学规划项目"后现代文化语境中大学生审美心理研究"(10NXCZX01)的研究成果
关键词
电子传媒
艺术
审美
狂欢化
electronic media
art or aesthetics
Carnival