寻找束缚:从闻一多“新格律”现象谈艺术自由

Looking for Bondage:On Freedom of Art from the Perspective of “the New Gelü Movement”

通常认为,文学革命基本都要倡导语言文字、文体的大解放,打破言语形式上的束缚,而在新文化运动激进的"诗体大解放"之后,闻一多领导的"新诗格律化运动"却是反向而动,在形式上寻找新的束缚。这绝非文学发展的倒退,而是人性自由和艺术自由之规律的必然现象。它对于我们辩证地看待文学形式的限制性有着深刻的启发意义。

It is generally thought that almost every literature revolution proposes emancipation of lan- guages, written systems and genres, and breaks the bondage of language form. But after the ＂great e- mancipation of poetry＂ during the New Culture Movement, the New Gelti （rules and forms of classical poetic composition） Movement led by Wen Yi-duo is just the opposite and tries to find new bondages. It is not a literary regression, but an inevitable phenomenon due to the law of human and artistic free- dom. It is of profound significance for the dialectical view of the restriction of literature form.