摘要
以周作人为代表的儿歌童谣"同一关系"论和以魏寿镛、周侯予为代表的儿歌童谣"并列关系"论,是现代儿歌童谣逻辑关系理论的两大传统主流观点。其生命内核均是指向民间的,未能涵盖现代儿童文学视野下的文人创作儿歌是其"硬伤"。就当下儿歌、童谣的存在现实而言,儿歌、民间儿歌(童谣)、文学(创作)儿歌三者之间实际上是一种以儿歌为"母集"、以民间儿歌和文学儿歌为并列"子集"的逻辑关系。
The identical relationship about nursery rhymes by Zhou Zuoren and the paralleling relationship by Zhou Houyu are the two mainstreams of the logic relation theories from the modern children's poetry and the nursery rhymes. The cores are concerned with the folks and the disadvantage is lack of children's poetry in modern children's literature. As far as the current children's poetry and the nursery rhymes, the logic relationships exist between the superordinate of children's poetry and the hyponym of the folk nursery rhymes and the creative children's poetry.
出处
《昆明学院学报》
2012年第5期11-13,92,共4页
Journal of Kunming University
关键词
儿歌
童谣
逻辑关系
民间儿歌
创作儿歌
children's poetry
nursery rhymes
logical relationship
folk nursery rhymes
creative children's poetry