论钢琴演奏“整体音色观”及其技法本质

The “Total Timbre” and its Technical Essence in Piano Playing

当前学术界对于钢琴音色的研究,存在将技法问题复杂化、神秘化的错误倾向。其原因在于我们对于钢琴音色的认识,缺乏"整体音色观"。树立"整体音色观",就是要从钢琴这一乐器的发音原理出发,认识其音色产生的复杂性,并重视"情感音色"在音乐表现目的性、准确性方面的功能。若从技法层面探讨钢琴演奏音色,则可以认为,触键技法的本质是触键力量、触键速度于音乐作品中的安排与设计。

The current research on piano timbre misleadingly makes the issues of technique complicated and mysterious,reflecting a result of lacking the 'total timbre' concept.To build a sense of 'total timbre' one needs to have a good understanding of the essence of sounding-making on the piano and pay special attention on the 'emotional color' with its function related to musical expression and accuracy.