摘要
通过对传统艺术歌曲《沉睡的美人》、现代流行歌曲《遇见》以及五声调式歌曲《二月里来》的钢琴伴奏进行分层解析,可以发现,其钢琴伴奏在和声材料的种类、和声的表现内涵等方面各具特色,它们借助音与音的联系,最终形成了以和声为线索的具有系统性、层次性、整体性和关联性的音响结构。
Through a layer-by-layer analysis of the piano accompaniment of "The Sleeping Beauty" which is a traditional lieder, "Encounter" which is a modern pop song and "February" which is a pentatonic song, a conclusion is reached as fol-lows : the piano accompaniment has distinctive features in aspects like types of harmony and the expressive power of harmo- ny. By means of a tone-to-tone relationship, a systematic, hierarchical, integral and interrelated sound structure eventually emerges with harmony as a unifying thread.
出处
《美育学刊》
2012年第6期113-117,共5页
Journal of Aesthetic Education
关键词
钢琴伴奏
即兴伴奏
和声应用
piano accompaniment
impromptu accompaniment
application of harmony