论“光”在李可染山水画中的应用

On the Use of "light" in Li Keran's Landscape Paintings

中国山水画革新的出路在于找出艺术创作中的创新,而那些已经在艺术实践中达到艺术创新的大师们的做法无疑是可以被效法的。"李家山水"画中光的应用是"师从造化的传统"与借鉴的西画相结合的大胆实践,并形成了独特的"李家山水"样式,从而丰富了中国画的审美范畴。只有透彻掌握中国山水画的传统特征,才能在广义"光"的基础上,借鉴西画中自然光的表现技法,实现不失传统意味的艺术创新。

The way out for Chinese landscape painting lies in finding our the innovation in artistic works： The methods of those masters who have already reached the level of innovation in their artistic practices can be undoubtedly imitated. Li Keran＇s usage of light in his landscape paintings, as a bold practice of combining the features of Chinese traditional paintings with Western paintings, has been gradually formed into his unique style, and thus enriched the aesthetic category of Chinese paintings. Consequently, the only way to realize artistic innovation is to thoroughly grasp the traditional features of Chinese landscape paintings, and based on the generalized ＂light＂ theory, to borrow the using techniques of natural light in Western paintings.