从“无意于佳乃佳”谈“无为”思想影响下的古典文艺创作

Classical Literary and Artistic Creation Theory under Influence of “Inaction” Ideology——From the perspective of Su Shi's view on calligraphy:with no intention at the beginning,yet ending the best

无为作为道家思想的重要命题,在道家经典著作中有着十分重要的地位,并对中国古典文艺创作和批评产生了深远的影响。此文着重讨论了无为观对古典文艺的创作和创作论的影响。道家无为实际上是包含了不妄为,顺规律而为,无不为,虚静寡欲等多重含义。而其在文艺创作的影响主要表现在:创作前虚静心态的调整,无意为文的创作态度,韵致在外的创作要求等多方面。

＂ Inaction＂, an importam proposition of Taoism in the Taoist classics, has a very important position, producing a profound effect on classical Chinese literary and artistic creation and criticism. The paper focuses on the influence of inaction concept on the classical literary and artistic creation, and creation theory. Tanist inaction actually contains such connotations as no recklessness, all actions following the natural law, memal tranquility and fewer desires. Such an ideology exhibits its impact on the literary and artis- tic creation as follows： tranquil mentality adjustment before creation, creative attitude of no intention for a great work of art, and cre- ative requirements of outward charm, etc.