从莎士比亚和契诃夫处各得“半分神味”——以《日出》、《北京人》的情节、结构为例

On the Half Part of Essence of Shakespeare and Chekhov Respectively： An Analysis on the Plot and Constructure in Sunrise and The People of Bering

莎士比亚戏剧是文艺复兴t时期以来戏剧化戏剧的典范，以生动丰富的情节为特色；契诃夫则因开创生活化戏剧成为现代戏剧的起点，以淡化情节为特色，二者都对曹禺的创作产生了深刻的影响。主要以《日出》、《北京人》为例，阐述曹禺从莎士比亚和契诃夫处各习得了“半分神味”的原因和表现。

Shakespeare＇ s dramas have been the model of dramatic plays since the Renaissance, which features the vivid plot. While Chekhov＇ s pioneering life is considered to be the starting point of modern drama, whose characteristics is weakening the plot. Both of them have a deep effect on Cao Yu＇ s works. This paper, taking Sunrise and The People of Bei ring as examples, elaborates the reason why Cao Yu has learned the half part of essence from Shakespeare and Chekhov re spectively.