摘要
在现代文学史上 ,孙犁与赵树理是比肩齐观的双星。他们有一段迹近相似的献身文学大众化的经历。但由于文艺观念上的差异 ,导致二人后期的创作境界大为不同 :赵树理过分依赖于民间形式的运用和演练 ,缺少对新文学的整体观照 ,遂陷于自缚自己、重复自己的困境。而孙犁则立足高远 ,视界开放 ,积极创新 ,因而出现劫后的再度辉煌 ,获具了较为永久的艺术生命。
In the history of modern literature both SUN Li and ZHAO Shu-li are excellent writers . They had the same experience of devoting to literature popularization . However , because of the difference on the sense of literature and art , their later creation were quite different : ZHAO Shu-li relied too much on the use and drill of folk forms , and lacked whole consideration to new literature , So fell into the difficult condition of self-binding and self-repetation ; On the other hand , SUN Li stood highly , watched broadly and created actively , So was briuiant again after the great Disaster , and acquired a long life in art .
出处
《天中学刊》
2000年第4期47-52,共6页
Journal of Tianzhong
关键词
赵树理
孙犁
文学大众
文学评论
比较研究
ZHAO Shuo-li
SUN Li
Literature populatization
national form
art vitality