巴赞纪实美学的批判

A criticism upon Bazin′ realistic aesthetics

巴赞 (A.Bazin)认为电影的本性是照相性 ,要求杜绝人的参与 ,以保持现实的多义性和含糊性 ,从而纠正了蒙太奇学派的偏颇。然而 ,他又陷入了另一极端。让·米特里 (J· Mitry)指出电影的手段不可能摆脱人的参与 ,手段愈能贴近现实 。

Bazin thinks that the nature of film is photographic and calls for avoidance of people participation so as to keep the multi implication and Vaguenes of realities.His theory corrected the error of the montage sect.However, he went to another extreme.J.Mitry pointed out that it is impossible for the means of film to cast off the participation of people.The more the means comes close to the realities,the more the film diverges from the realities.