摘要
宗白华先生在中国美学史上第一次把审美与艺术的虚实关系提到宇宙观高度作本体论论证。他借助“气一无论”思想对宇宙生命本体──“道”的“虚实相生”精神作了唯物论的阐释,并由此指明了中国的艺境追求指向“道艺一体”的理想的必然性。这是“虚实相生”的美学原则成为“中国艺术思想的核心部分”的哲学根源。
It is the first in the Chinese aesthetic history that Mr. Zong Bai - hua demonstrated the relationship of 'Xu - Shi' in aesthetic and art from the point of world view. He had the aid of 'the theory of matter - energy' and applied the materialism to interpret the 'Xu - Shi generated in each other' of the universal life─'Dao'. He demonstrated the necessity that the realm of Chinese art has the ideal of 'One spirit:'Dao' and art'. It is the philosophy origin that the aesthetic principle of 'Xu - Shi generated in each other' to be the 'key part of the Chinese art thought'.
出处
《安徽师范大学学报(社会科学版)》
2000年第3期389-393,共5页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
宗白华
虚实观
道艺一体
气一元论
虚实相生
Zong Bai - hua
'Xu - shi generated in each other'
one unit of matter - energy
the main part of universal life
'Indiscret:' Dao' and'Qi'
art ideal