摘要
革命战争题材小说是当代小说的重要类别之一。50～ 60年代革命战争题材小说强调对英雄人物正面形象的塑造 ,常常以革命浪漫主义回避对战争苦难的描写 ,以英雄主义、大无畏的气概来淡化作为个体的人在战争中所受的创伤。新时期文学开始后 ,这样的创作倾向有所改变 ,90年代 ,以邓一光为代表的作家注重描写英雄的普通性和普通人的英雄壮举 ,表现了经历苦难的人们心灵世界的丰富性和复杂性。以前苏联的革命战争题材小说作为重要参照 ,我们发现 ,战争和苦难恰恰与革命的英雄主义紧密相连 ,从对英雄的崇拜到客观评价英雄 ,从写英雄的行为到展示他们丰富的内心世界 ,中国革命战争题材小说的创作完成了与当代文坛对人与人性关怀的同步跨越。
Revolutionary war fiction is an important category in contemporary Chinese literature. In the period between 1950 and 1960,war fiction put the emphasis on figure of the position hero, namely, the revolution romanticism and heroism. It was this emphasis that overwhelmed issues which relate to that suffering resulting from the war experience. In fact, the individual ‘self was ignored completely in these early works. In the literature of the 1980s,the themes of war fiction changed from depicting heroes and heroism, to the portrayal of the ordinariness of heroes, and the common people in their heroic deeds. At the same time, the complexity and richness of the characters become a new focus of war fiction. In comparison with Russian war fiction, and based on writings of the 1990s,specifically Deng Yiguangs fictions, the paper demonstrates that war and sufferance have a close link to the representation of heroism. In shifting the focus from the description of heroic deeds and heroic adoration, to efforts which attempt to unravel the colorful and complex inner psychical world of the characters, contemporary war fiction reaches an objective comment on heroes and heroism. In doing this, the paper argues that contemporary Chinese war fiction has transcended the issue of humanity and humanism.
