中国古典戏曲中“后花园”意象探微——以《牡丹亭》、《西厢记》、《墙头马上》为例

On the "Back Garden"in Chinese Opera

"后花园"作为一个常见意象出现在中国古典戏曲中,其义涵已非纯粹意义上的地理空间所能涵盖。作为传统秩序的逸出,"后花园"是多重双向对生因素交织而成的"临界空间",是闺阁女性超越现实秩序加诸其身之种种限制的凭依。但性别差异下的男性写作却更多消解了"后花园"之于闺阁女性的自由想象,而演化为一种"猎奇"心理的满足、"常态"生活的补偿与对作为潜在威胁的女性力量的规驯。

As a common image in Chinese Opera,the ＂back garden＂ is not only a geographical setting,but also a critical space dissociating from traditional order.Men Writing under the background of gender differences dispels womens＇ imagination to freedom from the ＂back garden＂,but becoming seeking novelty,making up normal life and a achieving potential regulation to women.